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2011 American military science fiction action film directed by Jonathan Liebesman. The film was a co-production of Columbia Pictures, Relativity Media, and Original Film. It was distributed by Columbia, while Sony Pictures Home Entertainment released the film in the video rental market. Principal battle of los angeles date began in September 2009, and the film was released in the United States on March 11, 2011.

8 million worldwide, but received generally negative reviews. It was released on DVD and Blu-ray on June 14, 2011. A number of apparent meteors land in the world’s oceans, near 20 major coastal cities. The objects prove to be spacecraft containing hostile extraterrestrials.

The Marines commandeer an abandoned transit bus for the evacuation. En route, they deduce that the alien air units are drones that target human radio transmissions. Reaching the FOB, the Marines find it destroyed and that the military is retreating from LA. The Marines plan to escort the civilians to an alternate extraction point. When Joe dies from his wounds, Nantz comforts Hector.

Lockett confronts Nantz regarding his brother, a Marine who, with four others, was killed during Nantz’s last tour. In flight, the chopper experiences a brief loss of power. Nantz theorizes that they are flying near the alien command center, transmitting intense radio messages to its drones. He orders his unit to accompany the civilians while he stays to reconnoiter the area, but his fighters all join him. Searching through sewers, they confirm the presence of a large alien vessel. Mojave Desert, where they are greeted as heroes.

They are told that their successful method has been transmitted to the armies battling alien forces in 19 other cities, that Michele and the three children were rescued, and that they can now rest. Instead, they re-arm and join the armed force leaving to retake Los Angeles. Aaron Eckhart, who portrayed SSgt Michael Nantz. Ne-Yo as USMC Cpl Kevin J. Adetokumboh M’Cormack as USN HM3 Jibril A. Jim Parrack as USMC LCpl Peter J.

Gino Anthony Pesi as USMC Cpl Nick C. Jonathan Liebesman at the 2010 San Diego Comic-Con International. Louisiana was chosen instead of Los Angeles mainly due to financial advantages. There was military support for filming. Sony investigated the possibility of legal action against the filmmakers Greg and Colin Strause, who were hired to do visual effects work on Battle: Los Angeles through their special effects company Hydraulx. By Brian Tyler and performed by the Hollywood Studio Symphony. The soundtrack for the film released on March 8, 2011.

A first-person shooter video game developed by Saber Interactive subsidiary Live Action Studios and published by Konami was released on Xbox Live Arcade on March 11, 2011. The film had its world premiere in the United States on March 11, 2011. The next day, on March 12, it premiered in the Asia Pacific region in Taiwan. Other European markets in Germany and Denmark had the film premiering on April 14.

Following its cinematic release in theaters, the Region 1 Code widescreen edition of the film was released on DVD by Sony Pictures Home Entertainment in the United States on June 14, 2011. Concurrently, the widescreen hi-definition Blu-ray version of the film was released on June 14, 2011, too. PS3 Theme, Resistance 3 Game Demo Hybrid—PS3 Game, Behind The Battle, Directing the Battle, Building the Aliens, Acting with Aliens, Shooting the Aliens, Preparing for Battle, Boot Camp, Creating L. Battle: Los Angeles is one of the first titles to be re-mastered in the ultra-high resolution format 4K. Battle: Los Angeles received generally negative reviews. 193 reviews, with an average rating of 4.

The site’s critical consensus reads, “Overlong and overly burdened with war movie clichés, Battle: Los Angeles will entertain only the most ardent action junkies”. Noted film critic Roger Ebert panned Battle: Los Angeles in a lengthy review, calling the movie “noisy, violent, ugly and stupid”, giving the film a mere half star rating. Though he praised Aaron Eckhart’s performance, Ebert heavily criticized the film’s writing, effects designs, camerawork and editing. Neil Smith of Total Film magazine rated the film as 3 stars out of 5 and summarized, “Imagine Black Hawk Down with ET’s instead of Somalis and you’ll have the measure of an explosive if functional actioner that will do while we’re waiting for summer’s big guns to arrive”.